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中国写意画具有和西洋画不同的审美内核。在全球化的今天,中国画的面貌发生了很大的变化。不可否认,我们今天的作品应紧跟时代的潮流,广泛地借鉴国外优秀的理念和技法为我所用。但是,我们今天对自己的传统了解多少?继承了多少?如国画最后只剩下了毛笔这一表达工具,那我们的文化优势又何在?中国艺术独特的审美个性又何在?在当下,梳理中国写意画的审美特点显得尤为重要。中国画注重诗情画意,具有很强的人文特点,就如黄宾虹先生说:“中国画有三不朽:……诗、书、画合一不朽……”
Chinese freehand painting has a different aesthetic core from Western painting. In the age of globalization, the face of Chinese painting has undergone great changes. It is undeniable that our work today should closely follow the trend of the times and should be widely used by foreign countries for their good ideas and techniques. However, how much of our heritage today and how much is inherited? If only the brushwork is the last expression of Chinese painting, what is our cultural superiority? What is the unique aesthetic character of Chinese art? The aesthetic characteristics of freehand painting is particularly important. Chinese painting pays great attention to poetic paintings and has strong humanistic features. Just as Mr. Huang Binhong said: “There are three immortal paintings in China: poems, books and paintings are immortal ...”