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人们通常总把文艺创作中的仿效与创新对立起来,认为二者是格格不入的。毕加索的好友,英国作家兼画家罗兰特·潘罗斯所著的《毕加索生平与创作》一书却以毕加索创作生涯中的大量事实雄辩地告诉人们:这样的看法实在是很皮相的。毕加索以多变和独创著称。即使不很了解和懂得其具体创作经历的人,也都知道他是一个旷古怪杰。人们都知道毕加索的一生是不断创新的一生,殊不知毕加索的一生也同样是不断仿效的一生。毕加索当然是从年轻时代就胸怀大志且对自己的才能充满自信的。他十九岁那年初次赴巴黎前,“曾经自己画了一幅肖像,
People always put the imitation and innovation in literary and artistic creation in opposition to each other. They think they are alien to each other. Picasso’s friend, the British writer and painter Rowland Penrose, “Picasso’s Life and Creation,” a book full of facts in Picasso’s creative career, eloquently to tell people: This view is very skinny. Picasso is famous for its diversity and originality. Even if not very understanding and understanding of the specific creative experience of people, but also know that he is a geek. People all know that Picasso’s life is a continuous innovation of life, knowing that Picasso’s life is also constantly follow the life. Picasso, of course, has ambitions from his youth and is full of confidence in his talents. Before his 19-year-old first went to Paris, "I once drew a portrait myself,