《绿牡丹》是明代喜剧家吴炳的代表作,自问世以来受到观众的广泛喜爱。现代人成功地改编了《绿牡丹》,恰到好处地继承并改进了该剧的戏剧冲突。该剧两生、两旦、两丑的独特人物体系构成了丰富的戏剧冲突,一波三折的戏剧冲突不但加强了喜剧效果,还推动了剧情的突转,使喜剧发生了“团圆其表,悲剧其里”的变化。在生与丑、旦与丑、旦与生的互相冲突中,喜剧氛围中安然的梦幻被彻底撕碎。 “Green Peony” is a masterpiece of Wu Bing, a comedian in the Ming Dynasty. Since its publication, Green Peony has been widely loved by the audience. Modern people successfully adapted “green peony”, just right to inherit and improve drama drama conflict. The unique character system of two plays, two dynasties and two ugly plays constitutes a rich drama conflict. The twists and turns of the dramatic conflict not only strengthened the comedy effect, but also promoted the sudden turn of the story and made the comedy happen. Its “change”. In the conflict between life and ugliness, den and den, and den and life, the Enron’s fantasy in the comic atmosphere is completely shredded.