引言改革开放三十年来,特别是从上个世纪八十年代末和九十年代初期开始,涌现出了大量民族管弦乐现代作品(包括合奏曲、协奏曲、室内乐、重奏、独奏等)。这些作品是当代中国作曲家大胆尝试采用近现代技法的民族音乐结晶,作品一经问世在当时引起了强烈反响,时至今日这些作品仍然对民乐作品创新有着极其重要的推动作用。谭盾的胡琴协奏曲《火祭》便是其中一首。我选择分析这部作品是因为它不仅在当时的音乐界引 Introduction Three decades of reform and opening up, especially since the late eighties and early nineties of last century, a large number of modern orchestral works (including ensemble, concerto, chamber music, solo and solo) have emerged. These works are the crystallization of national music by contemporary Chinese composers who boldly try to adopt modern techniques. At the time, the works aroused strong repercussions. These works still play an extremely important role in promoting the innovation of folk works. Tan Dun’s violin concerto “Fire Festival” is one of them. I chose to analyze this work because it not only leads the music industry at the time