每一种媒介都是我们再现现实的方式,并且决定性地影响着我们对真实的感知。随着电子媒介,尤其是电视的到来,我们与现实和真实的关系正受到前所未有的质疑和挑战。在今天的文化领域,再现的政治到底意味着什么?意象如何在具体和变化的历史条件下生产有关现实的知识?在一个被电视主导的社会语境中,什么样的政治文化才是有效的?在一个波德里亚所说的被可相互交换的符码控制的社会,还有可能找到一个革命的时机吗?是否有一种用新的现实主义方式再现这一“现实”的途径?回顾布莱希特的再现媒介理论,特别是他对电视文化的杰出预见,将会为我们解答这些问题提供启示。 Each medium is our way of reproducing reality and decisively affects our perception of reality. With the advent of the electronic media, especially television, our relationship with the real and the real is being challenged and challenged as never before. In the field of culture today, what exactly does the politics of reproduction mean? How does the image produce knowledge about the reality under concrete and changing historical conditions? What kind of political culture is effective in a television-dominated social context? Is it possible to find a revolution in a society that Baudrillard calls controlled by the interchangeable code? Is there a way to reproduce this “reality” in new realist ways? A review of Brecht’s medium of reproduction theory, especially his outstanding foresight on television culture, will provide us some inspiration for answering these questions.