冯健辛老师的素描与速写,大略上可分为两个部分,第一部分是起始于50年代的写生、草图和生活速写,这一部分构成了冯老师自身作为一个创作者的实践历程,透过这一部分的作品,我们不仅可以观察到冯老师作为一个“造型个案”的形成过程,更能通过它们去复原出整个五六十年代革命现实主义的造型观念与创作语境。如此,尽管这一部分的作品多数都是为创作而采集的素材草稿,但是,它们仍然如同镜子一般,照射出新中国前三十年的艺术观念和支撑这些观念的技能基础;第二部分则是文革结束恢复高考后的教学活动的成果,这一部分的 The sketches and sketches of Professor Fung Kin-hsin can roughly be divided into two parts. The first part is the sketching, sketching and sketching of the sketches dating back to the 1950s. This part constitutes his practice as an artist himself Part of the works, we can not only observe the formation of Feng as a “modeling ”, but also through them to recover the entire 1950s and 1960s revolutionary realism style concept and creative context. In this way, although most of the works in this part are drafts of materials collected for creation, they still mirror the art concepts of the first three decades of New China and the technical basis for supporting them. The second part is Cultural Revolution ended after the resumption of the teaching activities after the results of this part of the