禪宗静觀默想的思維方式與現象學有頗多相通處,運用現象學的分析方法審視王安石晚年詩歌,不難發現其深婉不迫詩風的形成是通過本質直觀的徑直陳說與潛在設定的詩化表達而實現的。其中前者可細化爲直觀所得的現實陳述、實顯體驗的着重書寫,後者則由現前體驗關聯本質相同行爲、現前體驗對應平行回憶兩種書寫方式組成。對禪宗思維方式的借鑒,使王安石習唐而有變,且終成自我特色。 There are many similarities between the thinking mode of contemplation and contemplation of meditation and phenomenology. Using phenomenological analysis method to examine Wang Anshi’s poetry in his later years, it is not difficult to find out that the formation of deep poetic poem style is through direct presentation and potential setting The poetic expression and achieve. The former can be subdivided into the intuitively presented reality statements, the actual emphases are written emphatically, and the latter consists of experiencing the same behavior of the related nature before the present, and the experience consists of two ways of writing parallel memories. The reference to the way of thinking of Zen makes Wang Anshi Xi change and eventually become self-unique.