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现藏波士顿艺术博物馆的《番骑图》(习惯称之为《东丹王出行图》[1]),在很长一段时间里因画心处有“世传东丹王是也”的题跋,一直将这幅画归于东丹王耶律倍(李赞华)的名下,现这幅作品的作者被定为佚名。《宋画全集》的出版,使我们得以窥见珍藏在遥远大洋彼岸的《东丹王出行图》的全貌。当看到这幅作品高清的局部时,笔者忆起之前在泛读画论中的一条资料,有茅塞顿开之感,故而尝试对这幅佚名作品的作者进行考证。《东丹王出行图》——从佚名作品的角度来讲,作品本身所留给我们的信息才是最真实可靠的,也是最接近历史真相的。本文从图像文本自身所呈现的风格特点出发,再结合画论的记载,试对《东丹王出行图》的作者进行重新的考证。
Now in possession of the Boston Museum of Art’s “Fan riding map” (used to be called “the East Dan King travel map” [1]), for a long time because of the heart of painting The inscription, has this picture attributed to the Eastern Dan Wang Yelv times (Li Zanhua) in the name of the author of this work is anonymous. The publication of “The Complete Works of Song Paintings” has given us a glimpse of the full picture of the “Dongdan Wang Travel Map” that is stored in the remote ocean. When I saw this part of the works of high definition, I recalled reading a piece of information in the painting before a sensation, so try to verify the author of this anonymous works. “Dongdan Wang travel map” - from the perspective of anonymous works, the work itself is the most authentic and reliable information that is left to us, and is also the closest to the historical truth. Based on the characteristics of the style presented by the image text itself, this article re-examines the author of “The Traveling Art of Dongdan Wang” in combination with the description of the painting theory.