阿城的小说独具特色,短小精悍而不失思想的深度,语句简洁明快,短句刚健,用多个剪辑的小镜头来建构小说的背景图画。文言书面语和单音节词的大量使用,使得语言富有跌宕起伏的节奏感,在文白相杂的审美实践中表现出小说语言原始的感染力。自此,阿城作品所体现出来的语言特色被誉为“中州正韵”。本文就阿城作品中常用的短句和文言句式展开论述,并探讨其行文上所受儒家美学“节制”的影响。 His novels are unique, short and pithy without losing the depth of thought, the sentences are concise and lively, the sentences are vigorous, and the background pictures of the novel are constructed by using multiple clips of small shots. The extensive use of classical written language and monosyllable words makes the language full of ups and downs of rhythmic sense, showing the original appeal of the novel language in the aesthetic practice of the mixed language and literature. Since then, the language features reflected in the works of Acheng are praised as “Zhongzhou is rhyme ”. This article discusses the commonly used short sentences and classical sentences in Acheng’s works and discusses the influence of Confucian aesthetics “restraint ” in his works.