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每年有大量的谍战影视文学问世,但在艺术上却难有新的突破。谍战剧面临的这一困境,与原型错位而造成的英雄形象的缺失有十分密切的关系。总结形象塑造上的成败得失,有利于谍战影视文学走出误区取得更大发展。
Every year a large number of spy war film and television literature come out, but in art there is no new breakthrough. The predicament faced by spy war drama is closely related to the absence of the heroic image caused by the dislocation of the prototype. Summarizing the success or failure of shaping the image is conducive to espionage video and film out of the erroneous zone to achieve greater development.