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本文试图通过具体文艺作品的生产与流通,分析推动共和国初期文艺机制变革的主要因素。一方面,探索文艺生产场域的运作逻辑,如文艺政策对于“工农兵写作”与“写工农兵”的偏向,文艺部门对于个体写作的介入等。另一方面,探索文艺评价场域的运作规则,如文艺发表空间的“边界”规范,文艺评价体系对“事功”的偏移等。本文试图借此揭示1949年后各场域间的结构关系如何赋形于文艺生产之中,促进并维护文艺系统的运作。
This article tries to analyze the main factors that promote the change of the literary and artistic mechanism in the early Republic through the production and distribution of specific literary works. On the one hand, we should explore the logic of the operation of literary and art production fields, such as the bias of literary and artistic policies toward the writing of workers, peasants and soldiers and the worker-peasant soldier writing, and the involvement of literary and art departments in individual writing. On the other hand, it explores the operating rules of the field of literary and art evaluation, such as the “border” norms of space for the publication of literature and art, the shift of “literary and art evaluation system” to “meritorious service” and so on. This article attempts to reveal how the structural relations between the various fields after 1949 are shaped by the production of literature and art and promote and maintain the operation of the literary and artistic system.