依仗于空间构筑的抒情毕竟太曲折也太难以捉摸。与结构相比,线条的起伏仰俯之间所反映出的心绪活动的痕迹却要直接得多,也相对精确得多。故而我们很少有人去探求什么彩陶刻符上的抒情痕迹,但对于书法的抒情意识却是众口一辞的。 Relying on the lyrical structure of space, after all, too twists and turns are too elusive. Compared with the structure, the ups and downs of the lines reflect the trace of mood activity is much more direct, but also relatively more accurate. Therefore, few of us explore the traces of lyricism on pottery carvings, but we are all about the expressive consciousness of calligraphy.