一、少数民族版画的现状在中国古代,版画一般用于文化传播,有着不一般的历史背景。20世纪30年代是版画发展初期,再到20世纪50至80年代的成熟期。在这半个世纪版画发展当中,有着技法的传承,更重要的是延续了一个现实主义的创作基调。八十年代以后,西方画派开始流入中国,对国内绘画的发展产生了极大的冲击,而在这么一个转折期,中国版画创作,也发生了很大的改变。在西方画派的影响下,民族题材版画也发生了很大的变化。 I. Status of Minority Printmaking In ancient China, printmaking was generally used for cultural transmission and had an unusual historical background. The 1930s were the early stages of printmaking and the maturation of the 1950s to the 1980s. During the development of half a century of prints, there is the inheritance of techniques and, more importantly, the continuation of a realistic tone of creation. Since the 1980s, Western art schools began to flow into China, which has had a tremendous impact on the development of domestic painting. In such a turning point, great changes have taken place in the creation of Chinese prints. Under the influence of the Western painting school, great changes have taken place in ethnic theme prints.