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在中国画创作中,笔墨形式的作用十分明显,本文力图从笔墨语言角度进行更深层次的探讨,希望能由此引发同仁的关注。当我们酝酿、构思一个艺术形象的时候,起初只是停留在艺术家的脑海之中,没有创造出来。一旦构思成熟,就会产生一种表现的冲动和欲望,这种冲动和欲望进而转化为艺术家的创作实践。
In the creation of Chinese painting, the role of brush and ink is very obvious. This paper tries to probe deeper from the angle of brush and ink, hoping to arouse the attention of colleagues. When we brewed and conceived an artistic image, we initially only remained in the artist’s mind and did not create it. Once the concept of maturity, there will be a performance impulse and desire, this impulse and desire into the artist’s creative practice.