从来,格拉斯(Philip Glass)的音乐都在冷静、理性的音符中打转,他的简约音乐仿佛是一种纯然的结构,不大带有人性上的情绪波动,音乐的描绘多着墨于环境氛围上,要求一种远距离的描绘。用文学类比,就似是第三人称的叙事方式。他的电影音乐纵然间或在音符中渗入复杂的人性面相,背后却又隐隐带有讽喻,丝毫没有越轨的矫情。 Never before, the music of Philip Glass revolves around calm and rational notes. His minimalist music seems to be a purely natural structure with little human emotions, and the portrayal of music is dominated by the atmosphere On, requires a long-distance description. Analogy with literature, it seems to be the third-person narrative. Although his film music infiltrated the complex human face between notes or notes, behind it was an allegory with no allegiance to the devil.