傅山小楷《心经》《金刚经》创作缘起书家的艺术创作、审美倾向与创作者的人生经历、思想倾向有着紧密的联系。傅山身出世宦,幼年锦衣玉食;青年文采风流,义重而气盛;中年遇甲申之变,明清易代,遂隐居山林,不事清廷,颠沛流离,终而黄冠朱衣,出入老庄。傅山受禅宗思想的影响,亦精研佛教典籍,其虽为道士,但结交僧人之广,研读佛经之多,阐述佛理之精,是同时代士人少有的。据邓之诚先生《骨董琐记》中《傅青主二十三僧纪略》载,傅山结交当时僧人有达岸、大美、惠聪、达中、石痴、蝶庵、 Fu Shan small letters “Heart Sutra” “Diamond Sutra” origin The origins of scholar’s artistic creation, aesthetic tendency and creator’s life experience, ideological tendencies are closely linked. Fu Shan body of birth Huan, juvenile clothing Jin Yu; young literary Merry, noble and prosperous; middle-aged case of a mutiny, the Ming and Qing Dynasties, then secluded mountains, do not Ching Ting, displaced and eventually Huang Guan Zhu Yi, out of Laozhuang. Fu Shan is influenced by the Zen Buddhism and is also devoted to Buddhist books. Although it is a Taoist priest, Fu Shan made a great deal of monks, studied Buddhist scriptures, and elaborated the essence of Buddhism, which is rare among contemporaries. According to Deng Zhicheng’s “The Book of Talents” written in “Fu Qingjian twenty-three monks”, Fu Shan made when the monks arrived at the shore, the United States, Huicong, up in the stone idiot, butterfly Temple,