在各种文学样式中,散文和诗是最为接近的,这是因为它们都偏重于情感的表达,同时大多蕴含深远隽永的意境,这种内在的相似性使得在散文创作中经常出现散文与诗融合的现象。对于那些蕴含意境,淡于叙事,偏重抒情和想象的散文,人们称之为“诗化散文”。而作者在散文创作中把散文当诗来写,用诗性的眼光把握世界,着意表现生活的诗意,努力营构意境,则称为“散文的诗化”。“散文诗化”是散文艺术的一个重要方面。本文拟对杨朔和周涛这两个代表性散文家在这方面的追求进行分析。由此揭示“散文诗化”的内涵,并把握“散文诗化”在当代文坛上的发展脉络。“散文的诗化”是现代散文 Prose and poetry are the most similar in all literary styles because they are all based on the expression of emotion and most of them contain far-reaching and meaningful artistic conception. This inherent similarity makes prose and poetry often appear in prose creation Fusion phenomenon. For those who contain the mood, less than the narrative, emphasis on lyrical and imaginative prose, people call it “poetic prose.” The author in the prose creation of prose to write poetry, poetic vision to grasp the world, intended to express the poetic life, and strive to construct artistic conception, is called “prose poetic.” Prose Poetry is an important aspect of prose art. This article intends to analyze the pursuit of these two representative essayist Yang Shuo and Zhou Tao in this aspect. This reveals the connotation of “poetic prose” and grasps the development of “poetic poetry” in the contemporary literary world. “Prose Poetry” is a modern prose