彼得·格林纳威既可以被看作是西方混合艺术领域的开路先锋,同时也被认为是实验电影领域的领路人。先锋性和实验性再加上其后现代主义的怀疑气质,使得其作品更加脱俗、自由、新颖,并具有一种持续生长和流动的美感。本文从彼得·格林纳威电影作品的叙事结构——根茎图式、电影影像符号与格氏的“私人百科全书”以及历史文化角度对彼得·格林纳威作品进行深入分析,探讨后现代主义的电影美学内涵。 Peter Greeneville can be regarded both as pioneer in the field of Western mixed arts and as a leader in experimental film. Pioneering and experimental, coupled with the postmodernist skepticism, make his work more refined, free and novel, with a sense of beauty that continues to grow and flow. This article analyzes Peter Grainwein’s works from the narrative structure of Peter Greeniner’s film works - the root schemata, the movie image symbols and Grignard’s “private encyclopedia” and historical and cultural perspectives, Aesthetic connotation of film.