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《聊斋志异·龙飞相公》属于传统的因果善恶报应类型故事,讲述戴生因年少的不检点,而经历了不见天日的“黑暗地狱”的罪孽报应,终借龙飞相公的帮助和自身的积善而功成名就。但事实上,《龙飞相公》可以说是蒲松龄在叙事创作上的不自觉的开拓,本文拟从作品的“聚焦者”出发,解析蒲松龄对这一传统因果善恶类型故事通过叙述聚焦变迁而带来的叙事魅力,多种叙述聚焦给读者带来的视觉跳跃以及人物的多重色调。
“Strange Tales of LiaoFei Strange Tales” belongs to the traditional retribution type of causation, tells the story of Dai Sheng due to young age, but experiencing the “dark hell” The help and self-improvement and fame. However, in fact, “the legend of the dragonfly” can be said to be Pu Songling’s unconscious explorations of the narrative creation. This article intends to analyze Pu Songling’s passage of this traditional type of causal, good and evil type from the “focal point” Narrative charm of the narrative brought about by the focus of change, a variety of narrative focus on the visual jump to the reader and the character’s multiple colors.