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改革开放三十年,中国经济进入到国际产业分工与国际市场竞争阶段,世界见证了中国的崛起。但与经济发展不协调的是,中国的文化处在极端逆差状态。所以文化“走出去”变为极其重要与紧迫。中国美术在这场没有硝烟的战争中,必须变被动为主动,慢慢提升中国文化的影响力,确立自己的国际地位。从20世纪初期徐悲鸿、林风眠、闻一多、颜文樑、庞薰
Thirty years of reform and opening up, China’s economy has entered the stage of international industrial division of labor and competition in the international market. The world witnessed the rise of China. However, inconsistent with the economic development, China’s culture is in an extreme deficit. Therefore, culture “going out ” becomes extremely important and urgent. In this war of no smoke, Chinese art must become passive and proactive, slowly elevating the influence of Chinese culture and establishing its own international status. From the early 20th century Xu Beihong, Lin Fengmian, Wen Yiduo, Yan Wenliang, Pang Hsun