姑且不论上世纪九十年代晚期查尔斯·萨奇所推崇的“新官能写实主义”是否言过其实,德克斯特·达尔伍德作为其中的代表艺术家,其本身的创作方法与风格异常鲜明、自成一派。他的画作往往都是空无一人的室内或室外景观,描绘的是社会历史中的重要时刻、真实事件或标志性场地。这些事件发生地、名人居所都带有相似的集体意识和社会创伤。如同2010年他在泰特圣艾夫斯美术馆个展中备受关注的作品《大卫·凯利之死》(2008年),指涉的是大卫·凯利在揭露英国政府在伊拉克使用大规模毁 Regardless of whether the “new functional realism” advocated by Charles Sachie in the late nineties of the last century is an exaggeration, Dexter Dalwood, as one of the representative artists in his own creation method and style, Into a faction. His paintings are usually empty indoor or outdoor landscape, depicts the important moments in social history, real events or landmark venues. Where these events took place, celebrities lived with similar collective awareness and social trauma. Like the death of David Kelly (2008), which attracted much attention in his solo exhibition at St Ives Museum in Tate in 2010, David Kelly was referring to the revelation of the British government’s use of large-scale destroy