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★关于革命领袖形象★黑龙江牡丹江张春宁: 近年来,我国革命历史题材影片的摄制,取得了明显的进展,其标志就是《南昌起义》和《西安事变》。然而,它们也存在一个共同的弱点,就是对革命领袖人物形象的塑造,还没有达到应有的高度。《南昌起义》影片以交代事件为主,对人物性格缺乏细致、生动的刻画,缺乏精采的细节;其中几个领袖人物的个性更未充分展示,因而只能给观众一种笼统的“群象”印象。《西安事变》虽然写到了毛泽东、朱德、周恩来、彭德怀、叶剑英等许多老革命家,而且做到了“形似”,但对他们思想、性格的刻画则很差;就连出场较多的周恩来同志的形象也觉得一般化,并没有什么新的突破。我认为,造成上述现象的原因有两个:
★ About the Image of a Revolutionary Leader ★ Zhang Chunning, Mudanjiang, Heilongjiang Province: In recent years, remarkable progress has been made in the filming of China’s revolutionary history films. The signs are the Nanchang Uprising and the Xi’an Incident. However, they also share a common weakness, that is, the shaping of the image of the revolutionary leader has not yet reached the level it deserves. The “Nanchang Uprising” film is mainly based on account of incidents, lack of detailed and vivid portrayal of character, lack of brilliant details; the personality of several leaders is even less fully demonstrated, and thus can only give the audience a general “ ”impression. Although Xi’an Incident wrote many old revolutionaries such as Mao Zedong, Zhu De, Zhou Enlai, Peng Dehuai and Ye Jianying, they did “shape”, but their ideology and character were poorly described. Even the image of Comrade Zhou Enlai who appeared more often Also feel general, and no new breakthroughs. I think there are two reasons for this phenomenon: