吴昌硕篆刻除残破手法外,内栏应用也颇有特色:随意而行,粗细长短,各有不同。临摹吴昌硕的篆刻,对这一点同样要加深理解。下面,结合印例分析一下。图一“石人子室”一印,笔画浑厚粗壮。“石”、“人”二字笔画少,组合难度大,故施之以内栏,使栏线与笔画穿插避让、相互粘连。临摹时还要体会字体造型,如“子”字形如人体,与“人”字既避雷同,又相互呼应。此印四字造型不一,因妙用内栏而体 Wu Changshuo carving in addition to broken means of broken, the fence is also quite characteristic: free to do, the length of the length, each different. Copy Wu Changshuo carving, the same to deepen understanding. Below, combined with Indian example analysis. Figure a “Shiren room ” a print, thick and thick strokes. “Stone ”, “people ” less strokes of the word, the combination of difficulty, so Shi within the bar, so that the lines and strokes interspersed avoidance, mutual adhesion. When copying, we should also understand the font style, such as “child ” glyphs such as human body, and “person ” character to avoid the same mine, but also echo each other. This printed four-word shapes vary, because of the wonderful use of the fence and body