论文部分内容阅读
现在看来,黄永(石冰)1985年的《非表达绘画》在当代艺术方法论上无疑是一次重要的中国建树。他放弃常规支配画笔的表现方法,改用转盘决定绘画的程序和图绘的方式,以期彻底放弃艺术家的经验主体,看上去是西方“达达主义”的中国版本,但在观念上却与禅宗的“坐忘”、“棒喝”等中国传统相接。推崇意识的偶发性、行为的自动性,对已有经验取否定和怀疑的态度,本不是西方近代思想和现代作为的专
It now appears that the “non-expressive painting” of Huang Yong (Shi Bing) in 1985 undoubtedly made an important contribution to China in the methodology of contemporary art. He abandoned the conventional method of controlling the performance of brushes and decided to use the dial to decide on the procedure of painting and the way of drawing and painting so as to completely abandon the artist’s empirical subject and appear to be the Chinese version of Western “Dadaism” The “sit forget”, “great drink” and other Chinese traditions. Advocating the sporadicity of consciousness, the automation of behavior, and the attitude of rejecting and doubling the existing experience are not the specializations of Western modern thought and modernism