田纳西·威廉斯凭借其后期戏剧再度成为当今最热门的剧作家。尽管性、暴力和美国南方自始至终贯穿于威廉斯戏剧作品,但其后期风格迥异的黑色喜剧替代了早期颇受欢迎的家庭悲剧,再度掀起热潮。本文立足于批评界所忽视的后期戏剧,力图从反英雄主人公、自白式叙述方式和日趋减弱的性暴力三个方面分析威廉斯后期黑色喜剧的主要特点以及戏剧风格转变的重要原因。 Tennessee Williams once again become the hottest playwright today with his later plays. Although sexuality, violence and the southern United States have run through Williams plays all along, the dark comedies of the later styles replaced the popular family tragedies of the early days, setting off another upsurge. This article tries to analyze the main characteristics of the late Black Comedy in Williams and the important reasons for the change of the style of drama from the perspectives of the late-stage plays ignored by the critics and tries to analyze the main characters of anti-heroic heroism, narration of narrative style and the ever-weaker sexual violence.