徽州民居是古建筑文化遗产中的一颗璀璨的明珠,至今仍保持着那些在上个世纪已经消失或改变了的乡村的面貌。江南民居和徽州民居同属于中原文化,有着相同的信仰对象和艺术审美情趣,他们本身在平面布局、建筑外形、结构用材等方面有许多相似之处。然而由于徽州文化更为内向、尚祖,徽州民居得以完整的保存下来,但是江南民居则因为被破坏或分化而不成气候。在整个中原文化的大基调下,徽州民居“布局之工,结构之巧,装饰之美,营造之精,文化内涵之深”是现存古代民居中并不多见的。本文着重通过江南民居和徽州民居艺术手法的对比,研究它们文化传统和特殊艺术风貌,为更有效地保护我国现存的古建筑遗产提供一种思考的方式与参照依据。 Huizhou folk house is a bright pearl in the cultural heritage of ancient buildings and still maintains the appearance of those villages that have disappeared or been changed in the last century. Jiangnan dwelling houses and Huizhou dwelling houses belong to the Central Plains culture. They share the same object of belief and aesthetic taste of art. They themselves have many similarities in terms of layout, architectural form and structural timber. However, since the Huizhou culture is more introverted, the Shangzu and Huizhou dwellings have been preserved intact, but the dwellings in the south of Yangtze River are not as climateable as they were damaged or divided. Under the great theme of Central Plains culture, Huizhou folk house “layout of the work, the structure of the clever, the beauty of decoration, to create the fine, deep cultural connotation ” is rare in the existing ancient dwellings. This paper focuses on the comparison of the artistic practices of Jiangnan dwelling houses and Huizhou dwelling houses to study their cultural traditions and special artistic styles and provide a way of thinking and references for more effective protection of the existing ancient architectural heritage in our country.