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《伦敦场地》叙事的独特之处在于其时间游戏和死亡对话。时间游戏主要表现为对线性时间的颠覆以及对叙事时间的延宕;死亡对话主要是文本与世界末日论、作者死亡论以及小说死亡论之间的平等对话。通过时间游戏,艾米斯“创造了一种自成一体的时间逆转叙事,对历史渐进论进行了解构”;通过死亡对话,艾米斯实践着他对文学的独特感悟:“文学不是关于生存,而是关于不死”。
The “London Venue” narrative is unique in its time games and the dialogue of death. Time games are mainly manifested as the subversion of linear time and the delaying of the narrative time; the dialogue of death is mainly the dialogue between the text and Doom of the World, the theory of the death of the author and the theory of the death of the novel. Through time games, Amis “created a self-contained time to reverse the narrative and deconstruct history asymptotic theory.” Through the dialogue of death, Amis practiced his unique perception of literature: “Literature is not about survival , But about immortality. ”