中国古代戏曲的表演形式是在不断的舞台实践中根据观众传统的审美心理和鉴赏水平而不断发展成熟的。而信仰民俗和古代戏曲从一开始就有着一种千丝万缕的互动联系,信仰民俗中的各种祭祀祈神仪式活动促使了歌舞伎艺的产生,而歌舞伎艺在宗教节日活动中不断汇合、演变,加入曲折的故事情节,进一步艺术性地向民众灌输宗教意识,在此 The performance forms of ancient Chinese operas are continuously developed and matured according to the audience’s traditional aesthetic psychology and appreciation level in the constant stage practice. Folk beliefs and ancient operas have an inextricably linked relationship from the very beginning. Various ceremonial and ritual prayer ritual activities in folk beliefs promote the production of musical techniques, while the art of dancing and dancing continues in religious festival activities Convergence, evolution, adding twists and turns of the story, to further artisticly instill religious awareness to the people, in this