论文部分内容阅读
一、引言近几年来,电影技术有着显著的跃进,自“星涅拉马”型(Cinerama)于1952年9月与“星涅马斯科甫”型(Cinema scope)于1953年4月先后出现于观众之前以来,宽银幕立体声电影就以相当快的速度发展起来了。宽银幕立体声电影的放映条件与要求,当然与普通电影有所不同,今后电影院设计亦应因之而异,如何来处理宽银幕立体声电影院的设计,已成为建筑设计工作者所关心的问题,现将手头有关资料,加以翻译整理,以供建筑设计参考和进一步的研究。
I. INTRODUCTION In recent years, there has been a remarkable leap in film technology. Since September of 1952, the “Cinemara” type (Cinemama) has successively been with the “Cinema scope” (April, 1953) in April 1953. Since it appeared before the audience, wide-screen stereo movies have developed at a fairly rapid rate. The screening conditions and requirements for wide-screen stereo movies are, of course, different from those of ordinary movies. In the future, the design of cinemas should also vary. How to deal with the design of wide-screen stereo cinemas has become a concern for architectural design workers. The relevant information on hand will be translated for reference in architectural design and further research.