一日忽接评章电话,言准备出版一本文集,乞我作序。为评章文集作序在我是很快乐的事情。评章兄的戏剧批评文字我是一向爱读的。早在20世纪80年代中期接触到他的文章时,就忽觉发现了一片绿地,在那里可以汲取到丰富的滋养。那时正处于文化和戏剧思维转型期,同为新一代思考者,我们都在关注戏剧趋势的同时,发明着和构建着自己的学术路径与批评话语,发掘着传统的、西方的、哲学的、历史学的、文学的资源,彼此声气相求、互为激荡,共同用文字拨动着时代。那时在我选择性地阅读当代人理论文章的视野里,戏剧领域我聚焦于少数人,评章是一个。以后这个习惯就一直保持下来,每看到他的文章总要流连忘返。但毕竟身隔南北两方,文章不能看全,仍然有许多没看到的。这下可以先睹为快了,立即向他索求文稿。现在,这部厚厚的文稿就摆在我的案头,发散着油墨的淡淡清香。 One day suddenly ignored the phone call, saying that it is ready to publish a collection, begging me to preface. I am very happy to comment on the sequence of articles. Comment on my brother’s drama criticism I always love to read. As early as the mid-1980s when he came into contact with his article, he suddenly found a piece of green, where you can learn to enrich the nourishment. At that time, we were in the transitional period of cultural and dramatic thinking. As a new generation of thinkers, we were all concerned with the trend of theater. We invented and constructed our own academic paths and critical discourses to explore the traditional, western and philosophical , Historical, and literary resources, seeking mutual turmoil and mutual excitement, together with the text to dial the times. At that time, in my selective view of contemporary theoretical articles, I focused on the drama in the minority and commented on the one chapter. After this habit has been maintained, always see his article linger. But after all, both north and south, the article can not read the whole, there are still many did not see. This can be previewed soon, and immediately asked for his contribution. Now, this thick document is placed in my desk, emitting a faint scent of ink.