中国封建社会前期的传统绘画大多是意蕴深远,曲风高雅,画家以自诩文人的眼光去影响创作的,因此中下层社会难以去理解欣赏,此时的艺术只是“高雅者”的艺术。随着资本主义的萌芽,市民阶层对于文化需求的扩大,绘画开始向着“雅俗化”发展,任伯年绘画中体现的吉祥图像亦是“雅俗化”的代表之一。 Most of the traditional paintings of the early period of feudal society in China were far-reaching and elegant in style. The painters influenced the creation by their self-criticism, so it was difficult for the lower and middle classes to understand and appreciate. At this time, the art was only the art of “elegance” . With the germination of capitalism, the public class has been expanding its cultural needs. Painting began to develop towards the “elegant and secular”, and the auspicious image embodied in Ren Bian’s paintings was also one of the representatives of “refined and refined”.