Yeh画廊项目中尝试了诸多城市“帆布”。“帆布”不仅是一件实验性的艺术作品,预示着新画廊即将发生的改变;而且是建筑的墙壁。如果将常规的帆布看为二维介质,那么建筑师在该画廊中研发的帆布则是立体皮肤,是介于建筑平面和三维介质间的新编码。墙壁的二维性为向立体空间的转化创造了机会。这样的设计类似于在介于折叠和光滑、连续的皮肤之间的结构中寻求新空间的衍生。“折叠的空间表皮”表明了在建筑单层皮肤之下隐藏着产生多层肌理的过程。 Yeh Gallery project tried many cities “canvas ”. “Canvas ” is not only an experimental work of art, heralding the impending changes of the new gallery, but also the walls of the building. If you look at a regular canvas as a two-dimensional medium, the canvas the architect developed in the gallery is a three-dimensional skin, a new code between the architectural plane and three-dimensional media. The two-dimensional nature of the wall creates opportunities for the transformation of the three-dimensional space. Such a design is similar to finding a derivation of a new space in a structure that lies between folded and smooth, continuous skin. “Folding space epidermis ” shows the process of creating a multi-layer texture hidden beneath a single-skinned building.