当代戏剧现代性的障碍

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80年代以来,文学观念己从泛政治化走向多元、开放的格局,当代文学研究进入了日常的学术建设,从伤痕文学、反思文学、寻根文学、到90年代末期的个人隐私文学,理论界都以多种方法论为指引,全面、系统、多层次、广泛地分析文学的现实,逐步摒弃了过去以认识论为母本的单一的文学批评模式,无论是解构主义、女权主义,还是别的新学派批评,虽说有些盲目和一窝蜂,但每一次历经充分的 Since the 1980s, the concept of literature has shifted from pan-politicization to a pluralistic and open pattern. The study of contemporary literature has entered the daily academic construction. From scratch literature, reflective literature and root-seeking literature to the personal privacy literature and theoretical circles in the late 1990s Guided by a variety of methodologies, we comprehensively, systematically, multi-level and extensively analyze the reality of literature and gradually abandon the single mode of literary criticism that used epistemology as the mother of the world. Whether deconstruction, feminism or other new schools Criticism, though somewhat blind and swift, goes through every time
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