自古以来,“美”都是所有美学体系、文化评判和艺术呈现的绝对中心,但“审丑”的趣味就如同戏剧理论中喜剧之于悲剧一样,是审美过程中不可避免和缺乏的一体两面。有的时候也会形成混合、含糊的杂处状态,反映出人类感受和知觉的复杂性和多义性。德国哲学家罗森克兰兹在《丑的美学》第一次将“丑”纳入美学体系中分 Since ancient times, “beauty” is the absolute center of all aesthetic systems, cultural judgments, and artistic presentations. However, the taste of “ugly ” is just like comedy to tragedy in drama theory, and inevitable in aesthetic process Lack of one on both sides. In some cases, mixed and vague miscellaneous conditions are also formed, reflecting the complexity and ambiguity of human feelings and perceptions. German philosopher Rosencrantz put the “ugly” into the aesthetic system for the first time in “Ugly Aesthetics”