论文部分内容阅读
画室中的学习在20世纪,更确切说是自1864年以来,巴黎高等美院的教学有了些许变化:为通过入学考试,一方面需要根据现场模特或古雕像进行素描(或塑模)训练,另一方面需要考核一定量的文化知识。那些文学、解剖、历史等理论学识方面的老师并不太苛求学生;而且众多外国学生,尤其是中国学生,到法国的时候所了解的法国文化知识远比法国学生更为扎实和成熟。然而,另一个新的变化就要求学生改一改他们的习惯了。学生前去拜谒并通
Learning in the studio In the 20th century, to be more specific, there has been a slight change in the teaching of the Fine Arts Academy in Paris since 1864: In order to pass the entrance examination, on the one hand, sketching (or modeling) training based on live models or ancient statues , On the other hand need to assess a certain amount of cultural knowledge. The teachers in theoretical studies such as literature, anatomy and history are less demanding students; moreover, many foreign students, especially Chinese students, came to France to learn about French culture much more solidly and mathematically than their French counterparts. However, another new change requires students to change their habits. Students went to pay homage and pass