在中国,观念艺术都表现出模拟性、不成熟性。因为,对于长期生活在中国大陆的艺术家来说,他们缺乏从事后现代艺术创作的土壤。首先,社会发展的非现代化是制约艺术发展的外因。无疑,对于还没有进入后工业社会的中国来说,物质生产的大发达,使人们的观念仍然停留在生产而不是消费上,那么,当然不适合创作类似西方强调消费 In China, concept art shows both analogy and immaturity. Because, for long-term artists living in mainland China, they lack the soil to engage in post-modern art. First of all, the non-modernization of social development is the external factor restricting the development of the arts. There is no doubt that for China, which has not yet entered into the post-industrial society, the great development of material production keeps people’s concepts still stuck in production rather than consumption, so certainly it is not suitable for writing similar to Western emphasis on consumption