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纵观日本文学史,几乎处处可见中国文学的影响。近代以来,在日本形成重写“三国志”的热潮,产生了许多《三国志》重写之作。本文以这些作品为中心,探讨这些重写之作的具体情况,运用美国著名文学批评家哈罗德?布鲁姆的“影响的焦虑”的理论来探索日本作者在面对《三国演义》这一不可超越的伟大作品时,是如何不能承受影响之大而力求创新的,以及对这种“影响的焦虑”的反抗的创作心理。并分析各种体裁“三国志”再创作背后的创作心理和文化心态,进一步揭示日本之所以如此热衷于“三国志”的深层民族心理。
Looking at the history of Japanese literature, the influence of Chinese literature can be seen almost everywhere. Since the modern times, the upsurge of rewriting “Three Kingdoms” in Japan has resulted in the rewriting of many “Three Kingdoms”. Based on these works, this paper explores the specific conditions of these rewrites. By using the theory of “Anxiety Affected” by Harold Bloom, a famous American literary critic, “This great work that can not be surpassed is how to withstand the great influence and make innovations as well as the creative psychology of this” anti-anxiety “influence. And analyzes the creative mentality and cultural mentality behind various genres and re-creation of the ”Three Kingdoms“ to further reveal Japan’s deep interest in the deep national psychology of ”Three Kingdoms ".