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四月里,台湾国光剧团接连六场为上海观众带来了系列新编京剧“伶人三部曲”——《孟小冬》《水袖与胭脂》《百年戏楼》。当最后一场《百年戏楼》在上海大剧院落幕时,全部剧团成员着统一而飘逸的白、灰色素服在舞台上手拉手站成一排华丽谢幕,这场景让观众一时有点激动——传统的京剧场子可没有这等彩蛋,这分明有点话剧、音乐剧的新潮范儿了。而更值得一提的是,这一场以“京剧”之名的戏曲表演,在上海不仅吸引来了
In April, Taiwan’s Guoguang troupe led a series of new series of Beijing operas, “The Trilogy”, “Meng Xiaodong”, “Water Sleeves and Rouge” and “Hundred Years Theater” to Shanghai audience in succession. When the last “Centennial Theater” was completed at the Shanghai Grand Theater, all the troupe members stood in a row of gorgeous curtains with their uniform and elegant white and gray plain suits on stage. This scene gave the audience a moment’s excitement - the traditional opera There may not be such a pile of eggs, which clearly a little drama, musical trendy range of children. What is even more worth mentioning is that this performance of opera in the name of “Peking Opera” not only attracted in Shanghai