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朱孔阳在《新京报》上发表文章《谁还关注民间戏剧》,他认为:几年前,当民间戏剧方兴未艾的时候,戏剧迷都翘首企盼着戏剧市场的繁荣。作为院团戏剧的有益补充,民间戏剧一下子丰富了以往由北京人艺和国家话剧院不得不“垄断”的舞台。但是,台湾表演工作坊的赖声川导演忧心忡忡地警告,许多人把剧场当成又一个投资赢利点,这相当危险。而回头看近期北京戏剧市场,民间戏剧的衰落已是不争的事实。首先,做戏的人大多无法左右投资者,而投资者又多不
Zhu Kongyang published an article in the “Beijing News” that “Who Cares about Folk Theater,” said: A few years ago, when folk drama was in the ascendant, drama fans eagerly anticipated the prosperity of the drama market. As a useful supplement to the theater drama, folk theater suddenly enriched the stage that Beijing Art and National Theater had to “monopolize” in the past. However, director Lai Sheng-chuan of the Taiwanese performing workshop warned with concern that many people regarded the theater as another point of investment profit, which is quite dangerous. Looking back at the recent Beijing drama market, the decline of folk drama is an indisputable fact. First of all, most of the people who make the show can not control the investors, but investors do not