对罗伯特·勃朗宁诗歌中充满悖论的戏剧人物、语言观以哲学观进行了梳理和分析,认为勃朗宁经由戏剧人物鼓励反抗教条陈规,通过静默实现对言说霸权的反扑,他坚持描写人生的全息与两面,使其诗歌含有丰富的辩证思想。悖论的运用使其明显有别于同时代的浪漫主义诗人,也成为其开拓与创新之处。 On Robert Browning’s poetic paradoxical dramatis personae, the linguistic view is framed and analyzed from the philosophical view, that Browning, through the drama characters encouraged to oppose dogmatism and silence to achieve counterattack on the speaking hegemony, he insisted on describing The holographic and the two sides of life make its poetry rich in dialectical thoughts. The application of the paradox makes it distinctly different from the romantic poets of the same age and has also become its pioneering and innovative place.