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简·奥斯丁是英国十九世纪初杰出的小说家。她善于巧妙地运用小说人物之间以及作者与读者之间交流对合作原则的违反使其语言具有幽默、诙谐效果的同时,进行反讽叙事,塑造生动、鲜明的人物形象,在诙谐、幽默中揭示作品的主题。本文以合作原则为理论框架,分析简·奥斯丁小说《傲慢与偏见》独特的语言艺术,以期验证格赖斯会话含义理论应用于文学作品赏析的可行性,也使我们对这一理论应用于具体文本分析的有效性有更充分的认识。
Jane Austen is an outstanding novelist in England at the beginning of the nineteenth century. She is good at clever use of novel characters and the exchange between the author and the reader of the violation of the principle of cooperation so that the language has a humorous, witty effect, while satirical narrative to create a vivid, vivid character revealed in witty, humorous The theme of the work. This article analyzes the unique linguistic art of Jane Austen’s novel Pride and Prejudice by using the principle of cooperation as the theoretical framework in order to verify the feasibility of the application of Grice’s semantic meaning theory to the appreciation of literary works. The effectiveness of specific text analysis is more fully understood.