【摘 要】
：
戏剧艺术和影视艺术在理论方面,其知识点盘根错节;在艺术实践方面,互相反拨借鉴,戏剧和影视在相互影响和渗透的历史隧道中不断融合交汇.在当代审美语境下,二者如何跨界联动实现形式融合,以及又带来了哪些思考,是值得剖析的问题.本文以英国伦敦西区2020年版的《万尼亚舅舅》为例,拟从三个层面进行缕析:数字化时代下的舞台艺术、新媒体时代下的演播方式、以及观演行为中的社会镜像,为探索戏剧与影视的跨界融合和深层次的交互研究提供一种新思考、新思路.
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戏剧艺术和影视艺术在理论方面,其知识点盘根错节;在艺术实践方面,互相反拨借鉴,戏剧和影视在相互影响和渗透的历史隧道中不断融合交汇.在当代审美语境下,二者如何跨界联动实现形式融合,以及又带来了哪些思考,是值得剖析的问题.本文以英国伦敦西区2020年版的《万尼亚舅舅》为例,拟从三个层面进行缕析:数字化时代下的舞台艺术、新媒体时代下的演播方式、以及观演行为中的社会镜像,为探索戏剧与影视的跨界融合和深层次的交互研究提供一种新思考、新思路.
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