形神论是华夏传统美学体系中极富民族特色的理论之一，它广泛涉及作品真实、意象构造、创作方法等一系列重要的文艺美学问题。本文拟从历史与逻辑的双重视角切入，对其作一整体论述。上篇：历史演进中的逻辑展开追踪华夏艺术文化发展史可知，中国古典美学形神论起步于对“写形 It is one of the theories of Huaxia traditional aesthetic system, which is very rich in national characteristics. It extensively involves a series of important literary aesthetics problems such as the truth of the work, the construction of the image and the creation method. This article intends to cut from the dual perspective of history and logic, to make an overall discussion of it. Part one: the logic of historical evolution Tracing the history of the development of Huaxia art and culture shows that the Chinese classical aesthetics of God began in the "shape