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在当代艺术语境中,艺术家对经典作品进行借用、挪用、重构、解构已经成为了一种不再新鲜的创作方式,不同媒介的艺术家都可以通过对话经典对社会、时代审美或者经典本身提出问题。在解构中,经典艺术被拉下神坛,成为被讨论和利用的对象。解构不同于单纯的模仿,它是将固有的存在揉碎后置于新时空中重建的新的生命。解构经典有两种表现:一种是与经典传统艺术的重新对话。重访历史的创作道路,是在颠覆惯性的思维中创立新的艺术思维方式和方法论,并在借用经典的艺术实践中获得立足于当下的新的审美内容和文化内涵。另一种是对经典本身的怀疑与破坏,是以当代人的立场和视角去审视经典作品所面对的问题,并宣示一种崭新的审美立场和姿态。当代解构作品常常以一种戏谑的态度来挪用和篡改传统文化资源,在这个过程中经典作品本身常常也随着作品的重新解构而被再次解读,这不只是简单的模仿和恶搞,而是艺术家对文明和文化史的批判。
In the context of contemporary art, artists borrow, appropriate, reconstruct, and deconstruct classic works, which has become a no longer fresh way of creation. Artists of different media can propose social or aesthetic times or classics themselves through dialogue classics problem. In deconstruction, the classic art is pulled down the altar, become the object of discussion and use. Deconstruction is different from mere imitation, which is the new life of reconstructing the inherent existence after placing it in new space and time. Deconstruction of the classic there are two manifestations: one is the traditional dialogue with the traditional art. To revisit the history of creative ways is to create a new way of thinking and methodology in the thinking of subversive inertia and obtain the new aesthetic content and cultural connotation based on contemporary borrowing of classical art practice. The other is the suspicion and destruction of the classic itself, which is to examine the problems faced by the classic works from the standpoint and perspective of the contemporary people and to proclaim a brand new aesthetic position and attitude. Contemporary deconstructive works often misappropriate and tamper with traditional cultural resources in a jocular manner. In this process, the classic works themselves are often read again as the works are re-deconstructed. This is not just a simple imitation and spoof, but an artist Criticism of civilization and cultural history.