论文部分内容阅读
在传统木雕工艺与当下艺术观念相互影响冲突的当代文化环境下,是坚守传统木雕工艺的文化基础,还是从当下的艺术潮流中另寻创作表达的形式,抑或逐利于大众消费对木雕工艺品的市场需求?始终是摆在我面前的一个严肃的思考命题。如何化解木雕创作中新旧表达形式的压力,并将其转化为以个体存在感为中心的创作理想?对于探求雕刻新观念,塑造个人风格的“70后”艺术家而言,取决于艺术家个体对待木雕工艺制作以及在创作态度上的取舍。
In the contemporary cultural environment where the traditional woodcarving craft interacts with the current artistic conception, it is to stick to the cultural foundation of traditional woodcarving craft, to find another form of artistic expression from the current artistic trend, or to pursue the benefit to the market of woodcarving handicrafts Demand is always a serious pondering proposition before me. How to resolve the pressure of the old and new forms of expression in the woodcarving and turn it into an ideal of creation centering on the individual existence? For the “post-70s” artists who explore new concepts and shape personal style, it depends on the artist’s individual Treat wood craft production and attitude in the creative choice.