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“良辰美景——恭王府2016非遗演出季”已成功举办五届,成为中国昆剧古琴研究会在文化遗产日期间推出的一个重要文化品牌。多年来,研究会秉持关注传统、挖掘传统、传承经典、推广经典的学术宗旨,借助非遗演出季,展现最权威的学术引领、最不为人知的昆曲侧面及可资人类共享的经典名作。2016年6月,“良辰美景”诚邀江苏省演艺集团昆剧院晋京献演,集中将昆曲的重要支脉丑角戏展现在聚光灯下。其间,笔者采访了“江南第一丑”李鸿良院长,就如何在现代社会中坚守南昆的传统本色、如何在剧团改制的语境中处理生存、革新与坚守传统的关系以及丑角戏对于中国昆曲的意义等问题展开对话。
“Beautiful scenery - Prince Gong House 2016 non-heritage performance season ” has been successfully held for five, becoming the Kunqu Opera Research Society in the cultural heritage during the launch of an important cultural brand. Over the years, the Institute has upheld the academic aims of focusing on tradition, excavating traditions, inheriting classics and promoting classics. With the help of non-performance seasons, the Institute will showcase the most authoritative academic leads and the most unknown classical works shared by genres and genders. In June 2016, “Beautiful Scenery ” invited Jiangsu Performing Arts Group Kun Opera Theater Jin Jing performances, focusing on the Kunqu opera important clutches harlequin show in the spotlight. In the meantime, the author interviewed Dean Li Hongliang on how to stick to the traditional nature of Nankun in modern society and how to handle the relationship between survival, innovation and adherence to tradition in the context of the reorganization of the troupe and the clown play Talk about the significance of Kunqu opera in China and other issues.