本文将从文化背景、宗教信仰、音乐技法、“钟声”情结与“死亡”主题的多个角度阐释拉赫玛尼诺夫的#c小调前奏曲。寻找拉赫玛尼诺夫中晚期作品中无处不在的“钟声”与“死亡”情结的萌芽,最后上升到美学的层面,阐述拉赫玛尼诺夫音乐中的情感性。 This article will explain Rachmaninoff’s #c minor prelude from various perspectives, including the cultural background, religious beliefs, musical techniques, the complexities of “bell ” and “death ”. Looking for the germination of the ubiquitous “bells” and “death” complex in the middle and late works of Rachmaninoff, and finally rising to the aesthetic level, expounding the emotionality in Rachmaninoff’s music .