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中国山水画美学传统特征是再现与表现结合,而以表现为主导。这就是通常所谓的寄情于山水,寄情于笔墨,艾生深深沉浸于这种雅化的美学传统之中。这种雅化给人以深刻印象的正是他的笔墨形态、笔墨美感、笔墨质量、色彩处理与由此聚合的艺术取向——他以独特的天趣开拓了山水画内涵与外貌的新天地。艾生山水大气而独特,有着强烈的质感和韵味,尤为可贵的是,蕴含着一种古韵苍茫的情怀,看不到一丝矫揉造作和绵软媚俗的味道,笔墨间酣畅淋漓。其画作笔触自然灵活,构图虚实相生,气息高迈浑厚,呈现大千世界,
The traditional characteristics of Chinese landscape painting aesthetics is the combination of reproduction and performance, while performance-oriented. This is what is commonly referred to as affection in the landscape, love in the pen and ink, Aishen deeply immersed in this elegant aesthetic tradition. This elegant impression is precisely his pen and ink forms, pen and ink aesthetics, pen and ink quality, color processing and the artistic orientation of the polymerization - he opened up a new world of landscape connotation and appearance. Ai Shan landscape unique atmosphere, with a strong texture and charm, is particularly valuable, contains a vast charm of ancient charm, can not see a hint of artificial and soft kitsch taste, ink and hearty hearty. His paintings are natural and flexible in his brush strokes, his composition is based on the actual situation,