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千百年来,『晋书尚韵』已是妇孺皆知的口头禅。但晋书何以非『尚韵』不可?对这一问题,人们似乎仍不甚了了。在我们看来,在很大程度上,这正是魏晋数百年间风靡不衰的那股玄学之风,在书法艺术这一文化枝条上所催开的花朵。沈约在《宋书》卷六十七《谢灵运传序论》中写道:『有晋中兴,玄风独振。』晋书之以韵为尚,从主要思想文化源泉上分析,正是因为这『玄风独振』。对此,可以从如下三个层面来认识。一品鉴人物与品鉴书法品鉴人物之风滥觞于汉末,中经曹魏,至两晋而
For thousands of years, “Jin Shu Shang Yun” is a well-known mantra mantra. However, why is it not true that Jin is not a “rhyme rhyme?” It seems that people are still not quite aware of this issue. In our opinion, to a large extent, this is exactly what the popular metaphysical style prevailing over the centuries in the Wei and Jin dynasties, urging flowers on the cultural branches of calligraphy. Shen about “Song book” volume sixty-seven “Xie Lingyun preface theory” wrote: “There Jin Zhongxing, Hyun breeze alone vibration. Jin Shu’s rhyme is still from the analysis of the source of the main ideological and cultural, precisely because of this ”Xuan Feng Fu Zhen." In this regard, you can understand from the following three levels. Tasting characters and tasting calligraphy tasting the source of the flawed in the end of the Han Dynasty, by Cao Wei, to the two Jin and