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如果说2011年中国古董艺术品秋拍一片秋风瑟瑟还只是初露端倪的话,20门2年春拍所反映出的现象,可以肯定地说,中国古董艺术品市场已经进入了高位盘整期。泡沫、扭曲、炒作,曾经疯狂的中国古董艺术品市场,需要在这段时间里好好降降温、消化消化了。于是不少目光敏锐的人士和机构开始关注相对中国藏家来说还算是处女地的西洋古董世界。趁徐政夫先生从国外归来短
If we say that in autumn 2011, the autumn weather of Chinese antique artworks is just showing itself, the phenomenon of 20 years of spring photography reflects that the Chinese antique art market has entered a period of high consolidation. Bubbles, distortions, hype, once crazy Chinese antique art market, need to cool down during this time, digestion and digestion. As a result, many people and organizations with keen eyes began to pay attention to the Western antique world that is still a virgin land relative to Chinese collectors. While Mr. Xu Chengfu returned from abroad short